After a nice long break and trip to visit family, I’m ready to get sewing again. It’s time for another mini quilt. This small gems can be framed and hung as art, or turned into pillows, journal covers or other accessories. I plan to use many of the hand-painted fabrics leftover from making the Gateway Arch quilt. I have so many scraps!
This fiber object starts with four small daisies.
I like this fabric because it has the appearance of a watercolor sketch. I’m going to use these squares as the focal points for some monochromatic log cabin blocks. First I tinted the background with my color choices. Then I gathered matching fabrics in a wide range of values.
Starting with the daisy square, I sewed on strips, working from light to dark. It was a relaxing afternoon, listening to the radio, cutting, sewing and pressing. After a few hours I had these four log cabins done. They are roughly seven inches square.
Sometimes you need to turn your fabrics to the wrong side, especially if you find the tonal value needed. Here are the back sides of two of the squares, showing reversed fabrics.
And here are the four log cabins arranged in a pleasing fashion.
In my next blog, I will carry on with joining the squares, making the quilt sandwich and quilting the resulting block. See you then!
A culmination of six months spent thinking about and working on it, here is the Gateway Arch quilt. I finishing sewing on the binding while watching the Super Bowl (Yay KC Chiefs!) I feel an odd combination of elation, satisfaction and relief. The finished object is largely what I had envisioned.
The colors are wonderful. The curving shapes are a good representation of the real arch. I’m happy with the embroidery.
The construction flaws bother me a little more that I had expected them to, especially the waviness of the right border. How did that happen?
The arch shapes were made from hand-painted fabric cut apart into shapes that mirrored the arch’s steel panels and then fused to a solid background. This piece was then cut into the sixteen square background block on the left edge and appliqued on the right edge before being top-stitched in matching thread. Shading was painted on with acrylic paints after the block was finished.
I had a lot of fun with free motion quilting. I chose patterns to emulate aspects of the landscape or city-scape. I did a lot of experimenting with thread colors, either matching or contrasting with the background colors as the spirit moved me. Eventually I hand painted some thread to get the colors I needed. The idea for the fireworks came from my memory of a July 4th trip when my family stopped in St. Louis for dinner.
This project was a real stretch from the perspective of skills required. Thanks go to Bluprint.com for all the quilting tutorials I accessed. I learned a lot about painting on fabric, matching points, sewing curved shapes and putting the whole thing together. I also learned about the limitations of my current tools and studio space.
What’s next? I have a few ideas. But first I’ll be taking a short break from quilting to focus on painting, knitting and teaching.
Last week I wrote about painting heavy weight DMC thread with fabric paint. Just now, I finished embroidering my quilt with the thread. Before I do a “reveal” of the finished quilt (it isn’t quite sewn together yet) I want to show how I used the thread.
Essentially, I created little scenes that tell a story of looking up at the Gateway Arch.
I had no real difficulty embroidering with the threads. They do not appear to be bleeding color at all. I wish I could say the same for the quilt fabric, some of the paint rubbed off on my quilting gloves.
The important thing right now is that the End Is In Sight! A little assembly and sewing on the binding and it will be done.
I have finally finished piecing the Gateway Arch quilt. Next I stitched the blocks into three panels.
Before I move on to making the quilt sandwich and quilting, I will be adding some details to the blocks using fabric paint and possibly some embroidery. This step will allow me to practice a new technique I learned over the holiday.
Ho, ho ho – I must have been a good girl. Santa left me some wonderful art supplies this Christmas. He knows that I am playing around with color these days.
True confession: Santa was working from my list. This set of 36 watercolors is made by Arteza. The first thing I did after unwrapping them was swatch each color. The Prismacolor pencils are the erasable type. I’ve been told these are very useful in sketching, specifically the line drawing used to start a water color.
Since Christmas day I have been working fairly steadily on the Arches quilt. I’m pleased that I have finished assembling the hand painted backgrounds of the16 blocks that make up the quilt design.
The images below show a few completed blocks compared to the reference photos I worked from. Here is the upper right block.
This photo shows two blocks, representing the slender upper sections of the Arch.
I’m on a roll now. My hope is to finish the quilt top before the new year.
On a shopping trip to Tulsa I found the backing fabric – a purple-black color with a graffiti style print on it. I still need to choose border fabric. But what color? I am considering something lighter, just to provide separation from the dark blue and purple of the background. But I don’t want the border to compete with the bright yellow-gold of the subject fabric. Suggestions would be welcome.
Here in the central time zone we are mere hours away from the winter solstice – the official start of winter. With all the busyness of Christmas preparations, I didn’t make a special fiber object to celebrate the change of season. Instead today I am recycling one of my Inktober drawings made on the prompt of Snow. The reference photo I used for this charming scene was taken in front of my brother’s home in Ohio. While I did use artistic liberties with the content of the background across the pond, the scene is essentially like reality. There is an air of nostalgia about it, not unlike the way I feel at this time of year.
Work on the Arches quilt continues. I have solved some of the technical issues facing me in piecing the blocks together. The blocks on the right edge of the quilt have been pieced and pressed. Here are two.
As I finished stitching the lower right block, I started to feel a real sense of accomplishment. My idea is actually coming together, just the way I envisioned it.
During a shopping excursion to Tulsa, we stopped by the 108 Contemporary Gallery to catch a new show – State of Craft. Works in various media, including fiber, were on display. I thought it would be good to check it out.
There were some large works such as this one by Whitney Fortsyth.
Interesting wood items like this one by Rusty Johnson.
And then there were fiber objects, mostly smaller but exquisite.
A large work with a fish-eye mirror in the center. White linen with beads.
I particularly like these bags by Rhonda Steiner, hand dyed, painted, and screen printed.
And finally, there were some yarn objects, felted, crocheted and knitted.
I last wrote about this project on November 16th – almost a month ago. In that post I made a list of next steps. While I have completed all but a few of those steps, I started to lose enthusiasm for the project while painting my fabric. It seems that all of my fabrics began to look alike. I told myself that the background fabrics SHOULD look alike, otherwise they wouldn’t retreat into the background. But I still wanted more texture and movement in the colors. So I decided to go back to Cindy Walter’s fabric painting class, to review my technique and discover what I’m missing.
That did the trick. I worked a few variations on color washing and finished painting the background fabric. I now have enough fabric to start building the quilt blocks.
Looking at all the difference in the fabrics, it’s clear to me that I need to organize them in a way that illustrates the scene I want to paint. The solution came to me while I was in the shower. (Why do I get my best ideas while washing my hair?) The Arch stretches itself across three different backdrops.
I have my design, my structure, my fabric and my pattern. Now I can begin to sew.
INSPIRATION: The idea for creating a fiber object based on the Gateway Arch has been rattling around in my brain for some time. It really started way back in 2012, after my husband and I visited the Gateway to the West museum in St. Louis. At that time, he took a series of photographs showing every possible angle of the Arch at ground level. They are rather remarkable, taken as a group. Here is an example.
Earlier this year, I asked for copies of these images and began to imagine how a series of different views would look on quilt blocks. I printed out nine pictures and pushed them around against each other. In the end, I shelved the project. I decided that I really lacked the necessary technical skills to realize my idea.
GESTATION: Over the summer I completed several on-line quilting lessons and actually made a quilt based on my own design. I now feel ready to tackle the Arch project. So yesterday I pulled the photos back out and arranged them into a nine-block design with a look that pleased me. It took me hours to get it right.
IMPLEMENTATION: Dear me. Thinking about the many steps required to move a quilting project from the idea stage through to completion is giving me pause. Let’s take stock of where I am so far:
I have a design and a layout, pictured above. Each image represents one block at 1/3 scale. I’ve decided that I will need a paper template for each arch image, in order to draw and cut it accurately from the background material. For this task, I have located a pad of giant post-it notes. From it I have cut nine pieces that are 14 and 1/2 inches square.
Block Content: Each block will consist of 16 squares with a finished size of 3 1/2 inches. The flowing arch will be cut free-hand into the sewn blocks and inserted.
Colors: There will be three background colors in hand painted fabrics, moving from left to right they are purple, blue-purple, and blue. The arch section which winds through each block will be made of golden-orange-pink fabric. Here are some samples that I made earlier this year.
Other design decisions yet to be made: sashing or no sashing, type and number of borders, backing. While I plan to quilt it myself, I haven’t decided on a pattern yet.
Next steps seem to be
Draw to scale the templates for each block
Determine yardage needed for quilt top and purchase fabric
Cut fabric into manageable strips
Hand dye strips according to design plan
Cut out the squares
Practice cutting free-style curves.
A wise woman said, the journey of a thousand stitches begins with one thread.
Before I say farewell to my study of the oakleaf hydrangea plant, I want to share the little study I made of the blooms. Above is a reference photo for the plant. The “flowers” open pure white, changing over times into shades of rose, rust and green. I say flowers in quotes, because the part of plant that most people identify as a flower – it has petals, after all – is really a bract, or sterile flower. The real flowers are in the tight little buds that you see at the top of the panicle. Here is a specimen, much dried up, that I took from my hydrangea.
Interestingly, there are some bracts with four petals and some with five. I did a drawing in colored pencil before I started making the fiber object, which depicts the rusty pink color of late summer.
My first thought was to make corner blocks for my quilt with images of the flower panicles. But after I had assembled the quilt and laid out the border, I decided corner blocks would not improve the quilt at all and might even detract from the focus. By then I had already started a sample block.
It is a sweet little object, just 4 by 4 inches. Made with hand painted cotton, block printed and embroidered. Perhaps I can use it in another project.