Posted in colorwork, quilting

Thread Art Baby Portrait F.O.

This is a qualified finish. I still need to quilt the border and bind the edges. But the creative work is essentially done. I chose to use echo lines to quilt the background. The work went swiftly and smoothly.

The cotton damask fabric is a joy to work with. I had the benefit of a fresh needle in my machine, thanks to the delivery of my on-line order from

Following the example of Lola Jenkins, I used Prismacolor pencils to color the image. I had never tried this medium on fabric before. But by working slowly and carefully, I managed okay, rendering shadow and highlights modestly. Here she is as of today.

Here is a close-up of the subject.

I noticed that a damask vine landed smack in the middle of her onesie. I didn’t plan that placement, but serendipity happens. So I chose to leave it unpainted and embroidered a running stitch around it.

At 18 inches square, this piece is a good size for framing or mounting on artist canvas. Perhaps the arts supply store will open soon and I can buy what I need. In the meantime, she will be tacked up on one of my foamboard panels, allowing me to admire her on a regular basis.

Posted in quilting

Days of Fine Dining – Damask

How many of you remember a time when fine dining took place on a table set something like this? Okay, don’t answer that. I’d like us all to maintain our youthful appearances. I do remember that time – perhaps 30 or so years ago. Back then I went to the extent of buying crystal glassware. But the silverplate and the damask linens were given to me by the generation ahead of me. Every once in a while I get out the silver. The pale pink damask napkins you see in the photo were a gift from my mother-in-law. I’ve never found a use for them that fits my current lifestyle. They have been in the back of the linen closet, unused, for almost twenty years.

But that ended this week, thanks to Lola Jenkins and Thread Art. While stashing away some other fabric, one of the napkins fell out onto the floor. Timing is everything! It came to me that I could sew a portrait on this pale pink piece of fabric.

The subject I have in mind is my grand-daughter, from this photo taken at four weeks.


I decided to overlay this image onto one of a daylily. How about this one?

In the thread art process, the photographs are manipulated to size, and then the contour lines of the image parts are marked up. Here is the baby photo after marking.

I enlarged the flower until the baby could settle comfortably into the center of it. Oops, the baby is missing a foot. I manipulated one of the daylily petals to cover the place where the foot should be. After more fiddling, I came up with this.

Bill thinks this looks like an Anne Geddes photograph. I don’t care.

Now to transfer the lines to the fabric. This proved a little trickier than I expected. I first tried the chalky transfer paper used in traditional embroidery transfers. The lines were way too faint and uneven. Then I found, in the deep recesses of my sewing cabinet, an Aunt Martha’s transfer pencil. Using this tool, you mark up the back side of the image, lay the marked side against the fabric and press with a hot iron.

You get bright pink marks that ARE PERMANENT. But I am living by Lola’s slogan today – and Going For It! I will be covering all the pink lines with black thread.

For the best results, the quilt sandwich should include interfacing fused to the quilt top. I did that and then I cut the batting and backing, pin basted and started quilting.

Here she is at close of business yesterday ……………………

…………….And here is the image with all the contour lines stitched.

So far, making this fiber object has been challenging and fun! I’m so happy to have found a use for the damask napkins.

The next steps are to quilt the background and then add color to the subject. Lola Jenkins uses colored pencil. I will start with that medium, but I may experiment also with some fabric markers. After all, it’s time to go for it.

Posted in painting, quilting

Just Trees Reveal

Yesterday was spent finishing up the Just Trees miniquilt. This project was inspired from the way treetops look in the winter. As spring started to move it, I had to add some color in the form of blooming redbud trees. New skills practiced: paper piecing, hand applique of clam shell shapes, using textile paint mixed with floating medium on fabric. This last technique allows a more precise line by slowing the flow of the paint into the fibers. The floating medium is made by Folk Art. Here is my miniquilt all pieced together and painted, but not yet quilted:

I decided to improve my focal point by embroidering details into the lowest redbud tree.

French knots for the magenta buds and stem stitch for the trunk and large branches.

And here is the piece fully quilted, with a border of commercially printed fabric. I used my walking foot to stitch around the applique. I free motion quilted the sky and around the border.


I’m happy with the results of this fiber object. It reminds me of the view across the floodplain in my little Oklahoma town.

Posted in hand embroidery, quilting

Mojo Mini Quilt no 2

Yesterday, during my daily browse of WordPress blogs, I came across Cindy Anderson’s post announcing her one-woman quilt show featuring her art quilts. These are exquisite little works – no wonder she was invited to display them. After viewing her blog I became energized to make another mojo mini in the same style as the one I made last month. But the inspiration for this quilt actually originated in last Wednesday’s yoga session.

The instructor ran a playlist of music that started with a mantra. After five minutes, those words lodged in my brain and wouldn’t let go. Arriving home later, I quickly wrote down the mantra as a potential inspiration for a fiber object.

So yesterday, when the energy took hold, I reached for the mantra, grabbed scraps of fabric with colors like those in my mind’s eye during yoga practice, and scribbled a quick sketch of interlocking arches.

The structure of this mini will be built up with raw edge appliques and it will also rest on a gray background. But to make things more interesting for me, I decided to start with a paper pieced object.

Okay, I’ve never done paper piecing before. But I’ve watched it! Thankfully, I only made two or three mistakes as I cut and sewed this little section. I had to rip out AND also re-cut a scrap that I had trimmed incorrectly. Here is the finished applique.

After mulling over the top half of the design, I sewed an arch from thin strips of fabric. Here is it.

And that is essentially the design of this mini quilt. After glue basting and stitching down the two appliques, I wrote the mantra on the white arch.

…..machine quilted the strips and hand embroidered the background.

I used a couple of my painted fabrics. The red-orange planet is from a printed fabric.

It was very satisfying to make this mini. Thank you to Cindy Anderson for motivating me to get started. You can see Cindy’s art quilts here.

Posted in quilting, recycling

Addressing UFO Sewn Objects

Six months into my adventures with Daily Fiber Fun, I find myself surrounded by a bunch of Unfinished Objects. Here they sit, silently reproaching me for leaving them in a partial state of completion: unfinished, unused, unloved.

Resolved to address the cries, I have selected this guy to work up into an FO.

I made this 21 inch square block of hexagons during my week of learning to piece angular shapes. The teacher behind my success is Joanna Figueroa and her class on Bluprint, “Smarter Strip Quilting.” Since I had a bunch of fabric left, I turned to Joanna’s class again for another lesson. This time, I used the same type of piece – a 60 degree triangle, but cut in a way that makes diamonds.

I reasoned that this shape would work nicely with the hexagons as the back side of a large sofa cushion (!) After sewing and cutting many 1/2 diamonds, I came up with an arrangement that ignores the diamond shape (!) I’m going with chevrons instead.

Five columns of diamond shapes, roughly 21″ wide.

Skills that I learned in class the first time helped me speed through any little technical difficulties encountered while making this block.

Nesting the seam allowances together makes it a breeze to match points.

That said, it still took me the better part of Sunday and Monday to make.

I added white triangles to balance and fill the chevron ends.

The next step is quilting. There was so much going on in the chevron block, I decided not to risk messing it up with bad machine quilting. But I did choose to quilt the hexes, using parallel and dot to dot machine quilting technique.

I Love the red cotton thread.

Now to construct the pillow: I recycled a zipper from a disassembled cushion and a king-sized feather pillow which had got slightly mashed over the years. After I squared up the two blocks, the zipper was inserted into a side seam and the four sides sewn together. Using 1/2 inch seams and zig-zagging the seam allowances make it sturdier. Here is the completed pillow, resting peacefully on my sofa:

And here it is showing the chevron side:

Which side do you like better?

A big shout-out to Joanna Figueroa. You can find her class here:

Posted in hand embroidery, quilting

Mojo Mini Quilts

This project is inspired after viewing a class by Suzie Williams, on The gist of the lesson is to improvise a mini quilt which illustrates one of various design principles. These quilts are sized to be framed as wall art. I chose to base my design on the concept of Rhythm. Here is my sketch (just a few swooping lines, really minimal) and my chosen fabrics.

I had recently purchased the black printed fabric, which is just a scrap in the picture. I like the idea of repeating bars of the circle shapes on a background of orange.

The design is cut up, so that it can be pinned to the fabric and fabric cut out. I am using a gray background fabric. Each element is appliqued to the background, using glue as baste. I had never basted fabric with white glue before, but it seems to work just fine. Here is the design at the beginning of the layout stage.

Truly fun little cogs in multi colors.

After a few adjustments to the design, and more than one re-cut of the shapes, I finally have all the pieces in place, glued down, pin basted and ready for sewing.

Hmm, what color thread will I use?

I started by zig-zagging along the raw edges, to minimize fraying. Next I stitched some swoops of machine quilting in black and orange. Finally, I finished up with hand embroidery. It was fun choosing floss and stitches to accentuate the circles.

Here is the finished mini quilt, ready for framing or binding.

Detail of hand embroidery

What a fun project, even if it did take most of the day to complete! The Mojo Mini quilt class can be found here:

Posted in quilting

Little by little, piece by piece

So far my quilt-making efforts have been limited and tentative. I have a pretty good grasp of applique technique, and can put together a log cabin block. Now it is time to move on to new skills. To celebrate my decision, I have acquired a few more items.

Twelve inch square blocking ruler, Fisker 45 mm rotary cutter and wash away adhesive tape

For the past three days, I have been viewing lessons on and checking out U-Tube videos. Now I am ready to try an exercise in free-motion quilting. The lesson, “Free Motion Quilting Essentials,” was presented by Christina Cameli on BluPrint. First I selected some fabrics to piece together into a practice block.

These remind me of a cheese plate.

Here is the block assembled.

Before I continued on to the quilting, I squared the block using my new Omnigrid ruler. Then I made the traditional quilt sandwich of backing, batting and top. I used a muslin top for the first practice stitches.

It took a little effort to get my Bernina working correctly. I had to clean out the lint, change needles and try a couple of different threads. Here are my first efforts:

Pretty wobbly. I discovered that I got better results by working from right to left instead of left to right. This may be due to my left-handedness. Whatever the reason, it was a relief to find a method that gave improved results.


The block shows a little more mastery of technique. I do believe that I will need several hours of practice before I am comfortable with free-motion quilting.

Posted in quilting

Jubilee Quilters Show

Yesterday I attended a show hosted by our local quilt group. To say it was inspirational is an understatement. Who knew that in our little county of 50,000 residents there were so many superb fiber artists? Because the organizers permitted photography, I took a number of images. It was hard to narrow it down to favorites, but I am pleased to share the following:

This is called a Bargello pattern.
Technically superb. How did the maker create all those perfectly round circles?
Created using a jellyroll group of fabrics. Name of quilt is “Ocean Deep.”
My favorite wall hanging quilt. The giraffe is created with dozens of flower shapes sewn atop one another. The birds and vines are fussy cut applique.
My favorite large quilt. It is a log cabin style, using batik fabrics.
I chose this one because the maker used hand-dyed fabrics for her squares.

I admired the quilt below for its irregular and artfully placed strips, as well as for the cute applique ladybugs. The maker created it while recovering from a lung transplant. She finished the squares before passing away in 2008. Her grandmother sewed the top together.

I hope you enjoyed these quilts, and found them as inspiring as I did.

Posted in Uncategorized

Free Motion

Ah, Freedom! Something we long for when pressed with daily obligations. Something we were promised by our founding fathers, along with life, liberty and the pursuit of happiness. But when is freedom not really that great? I’ve discovered in life that a complete lack of restrictions often leads to mental paralysis. If I have unlimited choices, how do I decide what to do? Which way to go?

Okay, enough philosophy. We’re talking free motion quilting today. In this technique, the machine is set up so that all motion is created by the operator. Forward, backward, sidewise, whatever. Even though I have done almost no quilting before, given an opportunity to quilt, I choose the free motion type.

So my experiment today starts with a piece of fabric which was a previous experiment in color:

This was colored by layers of stamping. The dots were created with bubble wrap. The shell motif was printed with a stamp I made. Lines were added with fabric pens. Today I want to quilt on it. My plan is to sew curvy lines around the groups of motifs, then add a center dot in each group of shells. Finally, I will stitch down the ivy stem.

The first step is to make a sandwich, which includes a muslin base, fiber batting middle and the pattern fabric on top. The sandwich is basted with safety pins.

Next is to set up the machine. Sorry, no photo of this. The steps are to attach a little circular embroidery foot and lower the feed dogs. For those who don’t sew, feed dogs are the two serrated plates underneath that move the fabric through the machine. Now I’m getting a little nervous. Better do some practicing:

A little wobbly. This is much trickier than I expected it to be.

Taking a deep breath, here I go.

This isn’t a totally bad result. I liked making the little spirals, and they turned out good. The lessons I learned are

  1. I should have chosen a fabric with no pattern on it for my first attempt.
  2. A thread color with higher contrast to the background would have been a better choice.
  3. It’s important to let up on the foot control when you slow or stop moving the fabric with your hands.
  4. With greater freedom comes greater responsibility.