As I knotted off the last thread of the binding’s slip stitch, I drew my quilt around me and snuggled down into its folds. It is wrong to be in love with one’s own work?
This little lap quilt turned out very much the way I had hoped it would. The dark sashing focuses one’ eye on the beautiful leaves, as if each was a boxed jewel. I loved quilting in free-motion over under and around the leaf shapes.
The batik fabric of the border matches many colors in the blocks. And the botanical pattern on it suggests the sort of wooded area where one might find an oakleaf hydrangea shrub in the wild.
“Oakleaf Hydrangea Study” Hand painted cotton, cotton flannel, and commercial printed fabric; hand embroidered and machine quilted free motion style.
I have been sewing like a mad woman, trying to finish the Oakleaf Hydrangea quilt. It’s very close to finish now – needing only the binding sewn on. I ran out of thread yesterday just as I was finishing quilting. So today, I am giving that project a rest to celebrate the change of seasons.
For the first day of autumn, I am making a block using a technique that I haven’t tried yet: reverse applique. My idea is to do a tree silhouette, with negative and positive images of each tree half. When describing this to my husband, he came up with the idea of making each side equal – to acknowledge that the first day of fall has day and night of equal length. I agreed and got to work on a sketch.
I chose a charcoal gray fabric to make the reverse portion of the image. Here is it, all cut up and smeared with glue.
My background fabric will be a gold print, to represent the forest in fall. Here is the positive image glued to the background and the final block with both images in place.
The other pattern I wanted to try is the Maple Leaf. I have seen really pretty quilts made in this pattern. I plan to use up left over hand painted fabric from the hydrangea quilt as the background color.
I found instructions for this pattern on The Spruce Crafts website, by Janet Wickell. Maple Leaf is an exercise in half square triangle construction. Here are the stem pieces, made with one orange and two small green.
Okay, I didn’t takes pictures of every step in constructing the remaining squares. Basically, you make four half square triangles in the two different colors, then combine one solid background, three solid leaf color squares, the stem and four half triangles to make each block. I made two blocks. Here is the finished object.
I will add some stitching on the tree square, and perhaps quilt a bit on other parts of this work. But right now I am off to buy more thread.
Janet Wickell’s site and instructions for the maple leaf pattern are found here:
It is a really fine day to be in my fiber studio. The sky started out pouring with rain, and it ended up raining very hard again this afternoon. Today my goal is to practice piecing with triangles. For some reason, I find this shape way more interesting than a square or rectangle. I have been on-line viewing a wonderful tutorial by Johanna Figueroa, through BluPrint.com. You can find this lesson at https://www.mybluprint.com/playlist/5055/10267
Her first lesson is based on a Japanese block she discovered. She calls it Jelly Girl. Here is an image of her example quilt:
As you can see, it is a hexagon pattern. But inside each hex is a swirling shape made up of six triangles. The hexes are spaced apart with white equilateral triangles. She promises that it will be easy to piece together.
I have small amounts of these three fabrics, so this will be a sampler. To start the project, the fabric is cut into 2 and 1/2 inch strips, across the grain.
Next the strips are sewn together in twos. Here are my strips after pressing.
This is where the triangle part comes. Using an Omnigrid ruler that has lines for 60 degree angles, the strips are cut into equilateral triangles. For the three types of strips, I ended up with six types of triangles.
Next six triangles are laid out into hexagons. Only three of the triangles are sewn together at a time. The two halves of the hexes will not be joined until the rows are sewn together.
Here are my results at the end of the day:
I also cut the white equilateral triangles, which will be used as spacers. This colorful sampler will get finished next time.
So far my quilt-making efforts have been limited and tentative. I have a pretty good grasp of applique technique, and can put together a log cabin block. Now it is time to move on to new skills. To celebrate my decision, I have acquired a few more items.
For the past three days, I have been viewing lessons on BluPrint.com and checking out U-Tube videos. Now I am ready to try an exercise in free-motion quilting. The lesson, “Free Motion Quilting Essentials,” was presented by Christina Cameli on BluPrint. First I selected some fabrics to piece together into a practice block.
Here is the block assembled.
Before I continued on to the quilting, I squared the block using my new Omnigrid ruler. Then I made the traditional quilt sandwich of backing, batting and top. I used a muslin top for the first practice stitches.
It took a little effort to get my Bernina working correctly. I had to clean out the lint, change needles and try a couple of different threads. Here are my first efforts:
Pretty wobbly. I discovered that I got better results by working from right to left instead of left to right. This may be due to my left-handedness. Whatever the reason, it was a relief to find a method that gave improved results.
The block shows a little more mastery of technique. I do believe that I will need several hours of practice before I am comfortable with free-motion quilting.
Today my fiber arts students finished up classes for the year. I can hardly believe that I taught children a fiber arts project every week for eight months! In the end, I feel that I gained just about as much as I gave. While the students tell me that they learned a lot and had fun, I also learned much about making things with fiber in the process of developing lesson plans. Our last class was the wrap-up on string quilt samplers. The quilt tops made in previous weeks had backings added, were quilted, and bound off. Here are some images at the end of today’s work:
I love that the designs are all so different from each other. Some of the students incorporated the fabrics that they color washed. It took a lot of patience and perseverance for them to finish these quilt samplers. I’m very proud of their accomplishments.
I’m teaching myself to quilt, so that I can teach my older fiber arts students to quilt. So there is some time pressure here. While perusing The Encyclopedia of Quilting Techniques by Katharine Guerrier, I learned that the string quilt is one of the simplest of techniques. So that is what I shall make today. This method was developed to use up long strips of fabric, such as leftovers from dressmaking, and pieces of worn-out clothing and blankets. The sample I am making uses 3 inch wide strips cut or sew together from fabric fragments in order to span the width of the piece. I’m excited to be using one of the heliographed fabrics from Monday’s work.
First I sewed the shorter pieces into the length of strips that I need. (14 in.)
Next I position two strips, right sides together onto the upper half of the batting, and sew in place. The seam allowance is finger-pressed to one side.
I’m liking what I see. Once I got into the flow, the sewing was easy and fun. I hope that this piece will inspire my students. Next week I will add the backing fabric, top stitch the quilt and sew up the edges.
Ah, Freedom! Something we long for when pressed with daily obligations. Something we were promised by our founding fathers, along with life, liberty and the pursuit of happiness. But when is freedom not really that great? I’ve discovered in life that a complete lack of restrictions often leads to mental paralysis. If I have unlimited choices, how do I decide what to do? Which way to go?
Okay, enough philosophy. We’re talking free motion quilting today. In this technique, the machine is set up so that all motion is created by the operator. Forward, backward, sidewise, whatever. Even though I have done almost no quilting before, given an opportunity to quilt, I choose the free motion type.
So my experiment today starts with a piece of fabric which was a previous experiment in color:
This was colored by layers of stamping. The dots were created with bubble wrap. The shell motif was printed with a stamp I made. Lines were added with fabric pens. Today I want to quilt on it. My plan is to sew curvy lines around the groups of motifs, then add a center dot in each group of shells. Finally, I will stitch down the ivy stem.
The first step is to make a sandwich, which includes a muslin base, fiber batting middle and the pattern fabric on top. The sandwich is basted with safety pins.
Next is to set up the machine. Sorry, no photo of this. The steps are to attach a little circular embroidery foot and lower the feed dogs. For those who don’t sew, feed dogs are the two serrated plates underneath that move the fabric through the machine. Now I’m getting a little nervous. Better do some practicing:
Taking a deep breath, here I go.
This isn’t a totally bad result. I liked making the little spirals, and they turned out good. The lessons I learned are
I should have chosen a fabric with no pattern on it for my first attempt.
A thread color with higher contrast to the background would have been a better choice.
It’s important to let up on the foot control when you slow or stop moving the fabric with your hands.
With greater freedom comes greater responsibility.